mekyria: (Default)
 Saturday was our Sense of Bellydance photoshoot. It's remarkable how much a SoB meeting resembles the activity of herding cats. AS usual, things happened last minute, irritation was felt and everything came out okay in the end. So let me start....

We arranged for everyone to be tehre at twelve ó clock. I finished my costume that morning and even had some hours to spare for drinking tea and playing with Eliza. Those peaceful hours were interrupted by a frantci Facebook Meesenger discussion about G.'s 6 year old daughter who wanted to be in the shoot.

I am already annoyed that we're abusing Facebook messengare for group discussion. Hate the tool, hate the interface, hate it that I have to scroll through 20+ pages to find the information I was looking for. But, soit, such is life. G. posted pictures of her 6 year old daughter, mentioned that she wanted to join and if we mind. Ofcourse R replyd that she's sort of part of the group and yes, ofcourse she's welcome!

*facepalm*. We had a group meeting three weeks ago to discuss the shoot. G didn't mention her daughter during that meeting. We could have addressed it in a timely manner. but no! Last minute decision making! I added that I didn't think it was a good idea to have her there because A we we're going o be there for 5 hours and her attention span is not that long (not sure if my attention span could make it, for that matter). and B we prepared this as a group shoot and I looked forward to doing it with them. Having her daughter around would certainly changed the focus of the shoot.

Her husband ended up bringing her daughter around 16.30, she quickly changed and we took a group picture. Crisis averted, everyone happy. I will get back to this in a later post though. Back to the shoot!

I got there around 12.15 and walked into a double garage with an upstairs place to sit and change. It's nice! We had a meeting to discuss what we wanted (I sort of managed that part, by showing them prints of poses we liked and discussing options). Leoniek started on setting the lights and doing a bit of product photography of our doumbeks and zills while we got ready. Gluing of eyelashes ensued. I did the eye make-up of four group members, we all got dressed and started with the group pictures at 14.00.

That was a lot of fun! We started with small groups that could be edited into a bigger group picture. We joked around and have fun, it was a nice way to start the shoot and get used to being photographed. we procedded in building a pyramid shape composition. No real pyramids were hurt during this part, and we used cushions and stepping stools to get a bit of height difference. I think it'll work well and create an image that shows all of us, without being the standard 'sit in a row' look.

It was 15.00 by then and we proceeded with the individual shoot. Each of us got 5-8 minutes in front of the camera. I hope it results in a nice image to use for my website, but we'll see. I think that amount of time is probably not enough to get a really nice solo picture, but who knows. The photographer was awesome, Leoniek takes pictures for our praty in Zeist for the past couple of years so she knew what she got erself into.

I was rather happy with how my evening gown with gold ornaments came out, though I sensed that R was a bit sad for being frumpy and short and not looking as glam as she would have liked (she adjusted an existing Egyptisn style bra and belt with long lushious fringe that looked totally gorgeous on her). We all wore a different shade of purple and different styles of dresses but as an overall look it worked great. 

Wearing cntrol underwear to smooth out bumps also helped to create a smoother line. I am still suprised with how big I look but that's just the way it is right now. Around 16.00 we got really, really tired. We coached each other during the solo shoots, and talked and danced a bit to stay warm. For me, the shoot should have been over at 16.00 but we had to wait for G.'s husband and daughter who came in around 16.30. Because they had to go to the Sinterklaas intocht and other activities as well that day.

*doubleface palm*

Not only did she throw in her daughter and complicate our day, she also made her husband, son and daughter's day super complicated! All I could think of was:ýou could have said no'. No honey, you can't be in this photoshoot. Maybe next time. Maybe we do a seperate shoot. But no, you can't come today'

Seriously. I try to refrain from opinions on parenting but in this case twelve people had to deal with the consequences and it sucked for us. I'm glad that we have a nice picture with her as well, but I'm not sure if it was worth the anxiety and frustration.

Around 17.00 we wrapped thing up , got undressed, wiped our make-up off and went home. I am glad that after three years I finally did a photoshoot and have some new images to use for my promotion. It is different to do a group shoot compared to a solo shoot, that's for sure! We;ll see the results in a couple of weeks.

mekyria: (Default)
I finally went to a workshop by prof dr dr Hassan Khallil, who is 79 but happened to be in the Reda Troupe in 1956 and has been coasting on his reputation ever since.

I thought that I should expose myself to his pressence at least once, considering that I've been bellydancing for sixteen years now and have managed to avoid him all these years. Plus I am eager to get out there and network a bit, meet new people and dance.

I travelled to Vught (small town near Den Bosch) and took Hannan Sultan's workshop called skillful and slinky hips. Got aome good ideas about what exercises to use to level the hipwork and avoid injury. I hated how she let us drill in a different tempo compared to the music she put on. I cannot ignore a beat and dance in a different tempo. It's also a bit moot considering the teacher picking the music for class. Would be easier to pick something the right tempo instead of making the students go off beat. She is one hard working woman, I respect that.

The second workshop was the long awaited prof dr dr etc. Yes, he uses his titles all the time. I suspect once he bought them, he wanted to use them to get his money's worth. Mr khallil arrived late, and all the ladies stared to applaud when he entered. Little did I know that applauding was mandatory and expected at almost every instant he opened his mouth. He is very charismatic and positive, joking around, hugging women (he's an old dog, he is) and smiling. Can't help but like the guy.

We started 30 min late and Hassan explained that we were doing bellydance theater. An hommage to Cleopatra and het tragic story. He proceeded by showing us the most dramatic overacting ever. It included pining, sighing, yearning, reaching with the arms and putting on an obstipated face.

I was okay with it, saying to myself 'it's only three hours'. But when he told us to lie on the floor and wiggle like a snake, I reached my limit. That was right after he saw me yawn, walked up to me and said:'you should sleep at night'. I replied:'my baby won't let me', making him laugh out loud. 'Baby girl' I added, and he buggerrd off.

After a badly edited zar song attached to Mohammed Abdel Wahab, we pounced the floor with our fist, crawled on fours, picked up a small sized snake and theatrically dropping it in our shirt, the workshop was over. An hour early.

Let me get this straight: 25 people paid 75 euro to attend this three hour workshop. That is 1875 euro. Let's say 1/3 is going to the hostess, that leaves us with 1200 ish. He arrived 30 min late and we finished 1 hour early. For one and a half hour of prancing around, he made 1200ish euro. Tell me again that the bellydance market sucks and people are not willing to pay for workshops.

To be fair, One and a half hour of this was more than enough for me. Once, but never again. I did get to experience prof dr dr first hand and polished my snake writhing skills. Ozma, it reminded me of our floorwork workshop with Princess Banu in Istanbul. Good to know the crazy is equally distributed among teachers globally
mekyria: (2013 indonesie 2)
Last weekend was our annual hafla in Zeist, also known as the coziest ('meest gezellige') bellydance party in the Netherlands. Two years ago the theme was 'red', last year the theme was 'blue', so what would this year's theme be? Well, 'Rainbow', ofcourse! Because we all enjoy dressing up and this allowed us to get everything out of the closet and swap and switch between us. We all got to wear something that felt new to us without breaking the bank.

The first part of the show was a series of performances that showed the different phases in the life of a woman. I was 'birth', to the music of celtic harpplayer Marieke Lesparre.


I'm not sure if I classify this as fusion wankery or heartfelt oriental improv. I feel good about the first half of the performance, then I lost it for a bit. I got some really nice feedback on this piece so the audience overall liked it.

Our group, Sense of Bellydance, did 'Habibi I love you' together. They performed this song at our wedding in 2014 and have since improved and build on the first version. I like how this performance evolved and Germaine's daughter Veerle is super cute. Veerle danced the song about childhood, with wings, to a Tinkerbell song. It doesn't get much cuter and I am pretty sure that all moms were silently crying while watching her.


Overall the first part went well and I am proud that we got this far in the past six years. I am still a little bit frustrated that the only way to get decent video footage of our events is for me to bring a camera, position it correctly, make sure someone checks in every now and then to see if it's still pointed in the right direction, and then I have to edit the video and send it to everyone. So I just edited out the songs I wanted to show and sent the raw footage to Marjan, who promised to make a promo video this weekend.

The second half was separate performances of student groups and a couple of solo performances. I loved Gerie's performance and Nansi's performance, they've gotten more emotional and earthy. Last year they followed the 'Tarab' course from dancer Sena in Rotterdam, which worked with getting more in touch with their emotions and how to translate those emotions on stage. Good for them! My students and I did our pop song choreography that we started this semester. I a pretty pleased with it overall.


Some messing up here and there, but that's okay. We all picked it up rather quickly after screwing up and that's what matters! That, and we kept on smiling. Yay! I missed part of the event because I needed to pump (three times, so that's 1,5 hours) plus I had to attend our table where we were selling second hand stuff. Despite our best efforts, not much sold. The bellydance market is really saturated right now and flooded by cheap Chinese import, making it impossible to sell the more expensive older stuff like Egyptian hipscarves bought for 25-50 usd and oldskool bedlah and skirts. Even so, the stuff from Dunya's inheritance and from Laudie's closet sold, so I have money to give to Dunya's children and to Laudie. Every item that sells is an item that doesn't have to go back home.

I think I'll host a bellydance swap at my place in the summer, so we can all have some new stuff and move items we no longer like or use. After the Zeist hafla, we're now counting down towards Roos's student recital, plus I have a small hafla on May 18th and a student recital on June 5th. During the summer we're hoping for a second edition of Bellydance on the Beach in Wijk aan Zee, with excellent weather and a sleepover of Sense of Bellydance in the cottage at the coast. Lot's of fun things to look forward to!
mekyria: (2004 rood kostuum)

Brwosing back through my journal I noticed that I haven't written about belly dance for a while. Being a bellydancer is like having a lifelong partner: at times I remember the first time we met and how I madly fell in love with belly dance. At other times, we don't get to spend quality time together, or I wonder if I am still interested and in love after thirteen years. In the past couple of weeks, I was having a resurging feeling of love for the dance, which is good!

here's a longish update, with pictures and video material.

Read more... )


They did well and had fun! I am very proud of them and I look forward to teaching next semester. I wonder how long the cultural center will continue to hire their teachers: I suspect somewhere in the next two years they might change their business model to teachers hiring roms insted, in which case I am screwed. I'll worry about it when I get there.

mekyria: (Default)
 Saturday was a gig in Bergschenhoek, a tiny village near Zoetermeer, or a 0 minute drive frm The Hague. See, I had to be in The Hague for the Oum Kolthoum project: we were working on our Alf lila we lila refrain with Isandria and Joyce so we had to be there at 11.00.Stuff started going wrong when I tried to buy a train ticket and the machine refused my debet card. Had to go to the main all to get a ticket and missed the train, mking me late. But not as late as Isandria, who was held up because of road work on the A12. Alarmbells should have been ringing in my head, because I had to drive down the A12 to get to my gig.

Read more... )
mekyria: (naaigerei)
 The dress rehearsal on Thursday as great, it's looking great! Here are two pictures taken earlier this week. Keep in mind that the jackets have flowing half-circle sleeves and we are holding chiffon handkerchiefs in the finished version. This is Roos, showing her jacket and the pants + skirt:Read more... )
mekyria: (coin costume frans)
 I\'m booked for an outdoor performance this sunday, close to my home and they requested Turkish belly dance. But I've watched their website and it seems that the day itself is mainly visited by Dutch people, meaning that I have to do something to please both. So my setlist for sunday is:

1. Window of the East wings intro. It's not Turkish, but it is flashy and it will go over well with the Dutch audience
2. Cadimirin üstune with zils.Nothing like a 9/8 to get the party started, and it will please both Dutch and Turkish audience.
3. Asena from the BDSS babelesque cd. This is the choreography I've been working on with my beginner students, but I'm adding fun stuff for my solo
4. drum solo. Using the music from Roos, but with a different choreography. It's fun and upbeat and fits the Turkish theme. Note to self: I should look into doing a Lebanese set sometime too.
5. If audience is in for dancing, we'll do a mini workshop/follow the bouncing butt to a Mezdeke song. Bom Bom is my current favorite. If they are not in for dancing, I'll leave the stage. And when I say stage, I mean the cobble stone street I'm dancing on.
 
I'm practicing 2 hours a day in the next couple of days to nail it. The songs that need the most attention are Cadimirin Üstune (want to try some new steps and combo's) and Asena (Solo versus group choreography: it needs extra juicy stuff). 
 
Things I cannot control that could make Sunday a bad day: 
-the weather, though weather predictions are good for the weekend
- the street. Ive visited the spot, but cobblestones and asphalt means fast turns and floorwork are out of the question
- the audience.
- the (lack of) sound. utdoor sound systems, you never know what will happen when you're there
 
The good news is that the party is open to all and some of my students voiced intention to be there. So if you live in the Utrecht area and want to enjoy the weather while watching belly dance, come to the Spinozaplein on Sunday, april 17th. I'm due to dance arond 17.00 :)
mekyria: (Default)
I bought the new dvd 'the best oriental dancers of Europe'at OM. Mainly because three teachers of the 'verdiepingscursus'are on them: farouq, Ahlem and Mariska. There are two other Dutch dancers on it (Sena and Soraya), German dancers and two dancers from FInland and one from Denmark. I'll post a full review of this dvd in a few days after I watched it a couple of times. This is one of the first dvd's that originate from European dancers, are paid for by several dancers and promoted by each of them.

I think the lay-out of the dvd cover is awful, very kitch. Jeoffrey said it reminded him of what Russion porntapes look like (the lay-out and font, not the pictures of the dancers!). Quality of the recording is very high, editing is off beat more then once (it's a very slight difference between music and movement in some of the cuts). Europeans are obviously miles behind when it comes to making dvd's. I offered to write a review and post it on my BD website and got a luke-warm response. They know that my reviews show my perspective and I try not to sugarcoat it.

I love Mariska's performance. Her technique is wonderful, and though I know very little of Bharat Najam, I think her performance is a good example of good indain dance/bellydance fusion. Peter's performance shows of his subtlety and flowing moves, but I missed the charisma and emotion of his live performances. Ahlem is one of my favorite Dutch dancers. Her facial expressions really touched me, in live performances she seems more distant to me. Again very nice technique (ah, if only I had twenty years under my belt!) though one thing I noticed is that her arms are also a focus point for her. (at least it seems that way in this recording, it never attracted my attention before).

Wether this dvd showcases THE BEST DANCERS OF EUROPE is something that I don't agree with. The other dancers didn't impress me much: maybe because the egyptian style is harder to capture on film then the american style. It's easy to like the BD superstars: what's on tape is what they show on stage. Capturing the emotion of an egyptian baladi might be something that's not figured out yet.

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