mekyria: (2013 indonesie 2)

Some of the participants were hungry for drum solo day, since we didn't do that much dancing on Saturday they'd love to get some vigourous combinations done. The good news is that it was all about the drum solo. The bad news was that it wasn't a choreography (which is fine by me: brilliant as ava's choreographies are, they never stuck with me in the past and I don't believe a choreography would stick in my pregnancy brain either.

The day started by a ballet class by Helen, a nice looking lady of about 45-50 who gave us a taste of ballet. We started out on the floor doing some starting fluid stretches, then moved on to some basic barre work and ended with an upbeat jumpy cobination. It was fun to have a ballet class from someone other than Susan, my regular ballet eacher.


Ava started out by giving us information about the structure of drum solo's In the olden days, the Riq was the leading instrument but this has changed in recent years to the tabla being dominant. I'd like to get some golden age music out and listen to it from that point of view. The main reason for the change is that Rix is harder (platying drum + the cymbals on the edge at the same time) and that knowledge is largely unavailable nowadays.

The dancer has a coiche to dance to the base rhythm or to the acents. Depending on the situation, she can choose one out of two or choose both.

We did some exercises with dacing to a drum solo with smooth moves only, or with one bodypart only. Ava then gave us five combinations that we could use as we pleased. very useful, I think I'll use these combinations more often during my imrpovisations. We then split up in different groups and danced a drum solo for eachother. I liked the result and I'm playing aorund by videotaping myself this week doing this exercise, to get an idea of what the end result looks like on me and to get some nice footage of what I look like now that I'm six months pregnant and still dancing. there's a nice playground type field close by that I could use, with green bushes in the background. It's far enough from houses and yards to get some privacy, yet close enough to home to drag the camera and tripod with me.

I decided to leave around 4.45, because I had a lengthy train trip ahead of me and I wanted to be home around 22.30. I said my goodbey's to everyone and profusely thanked Artemisia and Ava. Artemisia offered to add me to the 'bellydancing mommies' facebook group so I could have a lifeline when I needed it. I walked back to the station one last time and had a rather uneventful trip back to Utrecht (it was on the long side and it did wear me out).

When I got home, E. and a friend who came over for dinner were sitting in the backyard. I had a late dinner of wild boar stew and veggies and chatted with Ankie, who owns an art gallery and is looking for a different job as the gallery isn't making much now. She's living with her parents above the gallery and there's some tension there too: living together with your parents when you're over thirty is sort of bound to create some kind of tension, as you're all adults with habits and preferences and you can't do everything the way you want, like you'd do in your own place. She left around eleven so I got some quality time with E, we talked, cuddled and went to bed. The dog was extatic that I was back home (for about 5-6 minutes, that's what dogs are like. After that, there's always a more interesting sound or smell that needs to be investigated).

The next week, I slept for most days in order to regain some energy. It was exhausting but so worth it, even when I forgot I had a dance training on Wednesday night because I was so tired.

mekyria: (2013 indonesie 2)

Saturday I woke with the refreshing feeling of not needing to run through my choreography any more or work on my costume, as the hafla was already done. Huzzah!

Instead, I went downstairs to the tiny supermarket below our hotel, got some yoghurt and breakfast and walked to the venue with Sophie. Today was all about oriental, and the program was left blank as to what this oriental would be. Ava got us started with 'storytelling': listening to music (Yearning) and creatign a story in your head. Then using the story to give meaning to your dance. It was interesting, as I felt Western music worked better with this exercise compared to Arabic music.

According to Ava, there is a distinction in the dance world between a bellydancer and an oriental dancer. An oriental dancer is more formal, in the sense of using arm placement, spacial awareness and storytelling. A bellydancer is aimed at entertainment and uses more traditional bellydance elements, thus sending out a different vibe. Overal, Oriental, formal dancers are more respected because their body language during a performance demands respect and distance.

We went over the use of space on stage, and what lines and positions work best . I liked her quote on practice: 'Practice and think of your technique in class or at home. Never on a stage!'. Thus leaving room in your head to work with the stage, with contrabody, storytelling and such things.
'Always go on stage with a purpose. Wheter it's a character you choose to be, or an element you wan to express like fire, water or air, or a story you want to tell.'

We were all a bit exhausted from Friday and we didn't dance much, instead working woth exercises to practice with emotion and storytelling. It was great and I will use some of this stuff for my own classes. After class, Sophie, Jannie (her boyfriend), Jessica and me went out to eat for dinner and had a yummy lambburger with melted goatcheese. We then walked to the square next to the station to meet up with Artemisia and Ava for the 'Pois and toys' play night. It might sound a bit suggestive, but it meant we brought our poi, voi, zills and other props and played around. I tried the poi and I got to do a couple of basic moves. Somehow my body remembered the practice I put into it over five years ago in my livingroom. I managed to hit myself multiple times with my own poi (this is common) then gave up and sat down for a mocktail (alcohol free cocktail). Ava was obviously tired, I think she needs alot of rest to recover from teaching all day plus dancing. Earlier she said 'most people are suprised that I'm an introvert'. No Ava, I am not suprised. I recognize your reservation in behavior as saving of energy. She is a very warm and sharing person but it does take it's toll on her. The further we got into the intensive, the more of her quirky side came out which was nice. She smacks like a squirrel when she tries to change the subject.


Around 22.00 we called it a night and I hobbled back to the hotel for a shower, skype session with E and a good night's sleep. E later told me that he was very worried about me being so far away with the baby and everything and he actually cried during a movie. Probably not because of the movie but because he missed me. He's so cute, when I'm upset he's always being the strong one and trying to make me smile but when I am feeling better I know he has his insecurities and worries too and we then talk about his side.  I was happy because it wa sanother fabulous day, and sad because tomorrow would be the last day.

mekyria: (Default)
I'm back from Leuven and four days of dance with Ava Fleming. It was exhausting but so worth it. Artemisia hires her because she wants to offer in depth instruction to her students: beginners and advanced alike. The four days were not filled with extensive drilling of choreography, but with exploring different concepts and nuances in oriental dance.

Our first day was spent on an Ava style warm up, which was quite useful in both warming up and gently getting the body used to her internal style of layering abdominal and ribcage contractions on basic bd moves. It creates an overall clean look, but with more depth. I can see why the tribal fusion girls like her, it's very muscular. We then proceeded into listening to taxims and different variations and explanations on what the purpose of a taxim is.
'For Western audiences, they can only handle so much of stillness and taxim. Use maximal one minute for those audiences, or use props to keep them interested. Like sword, veil, fanveils, floorwork,etc.for Arabic audience you can go full out, to up and about five to seven minutes of taxim'

She showed us different ways of taxim interpretation and then got cracking on dancing to taxim ourselves. Ava has a really relaxed teaching style, she's a very analytical dancer. We danced in solo's, in groups amd showed the result to each other. She taught two short combinations that work well and can be added when needed, which was nice. After class I walked back to the hotel (it's a 30 minute walk) and had a short nap. Sophie and I walked to the place for the inspirational talk with Ava. About ten people attended as others had families and other obligations. Our group was seventeen people in total.

The inspirational speech was great. She opened with the question 'why do you dance and what are your goals?'. While listening to all the answers I realized that I was completely happy with where I am now as a dancer. Okay, some of it might be lregnancy hormones, but after fifteen years I no longer care what the audience thinks of me. I dance because it makes me happy, and by teaching and performing I make other people happy. I go for quality in both teaching and performing and though it might not be shocking or worthy of international fame, it is pretty good. That was super nice to realize and I just kept on smiling the rest of the week.

Ava herself is currently thinking about what she wants in dance, because as far as achievements go she's done it all. Own a studio, run a company, international travel... Her motivational sounded a bit like 'the Secret' which I totally disagree with. Just because you think of what you want the universe will make it come true, that type of thinking. With a bit of nuance I can agree that by not desperately wanting stuff, oddly enough things start happening for you. After applying for the theater project in 2010, my troupe membership of DDD naturally came out of it, as did the next theater production and the one we're working on right now.

Interesting enough, when this question was asked nine years ago at raks, many people had dreams of making it in the international scene. Now, most of the dancers were less ambitious, focusing more on the long term enjoyment of dance. Ee talked a bit about how the industry of dances very demanding. It was a good talk.

Unfortunately I woke up in the middle of the night because my pelvic floor felt like it was dropping two floors down. I've heard of it (the ligaments that hold the uterus are stretching to accomodate for the baby) but it still was very uncomfortable and hard to walk to the bathroom. It was gone in the morning (phew!). One day down, three more to go.
mekyria: (Default)
I'm in Leuven and so far things are great! Met up with a couple of people plus artemisia and ava and had a pleasant evening talking about dance and other things. Bring on the classes!

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